We have very sad news to report from The New York Times: Leonard Nimoy, Star Trek’s Mr. Spock for almost 50 years, has died. Nimoy’s wife, Susan Bay Nimoy, told the Times the cause of death was “end-stage chronic obstructive pulmonary disease.” The beloved actor and director was 83 years old.
Disney’s big kick right now is revisionist versions of classic fairy tales. ‘Sleeping Beauty’ became ‘Maleficent,’ a sympathetic look at the supposedly “evil” witch. Last Christmas’ ‘Into the Woods’ followed numerous fairy tales to find the unhappy endings after their “happily ever after.” Even ‘Frozen’ reconfigured numerous classic fairy tale tropes (the handsome price was secretly [SPOILER ALERT] the bad guy, and the film’s true love story was actually between a pair of sisters). What’s most surprising about Disney’s new live-action ‘Cinderella’ is how unsurprising it looks; it seems totally unlike those films in its old-school vibe.
So Sony and director Paul Feig have found their new Ghostbusters: Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. This whole idea of an all-female ‘Ghostbusters’ reboot came together after the passing of original series star and co-writer Harold Ramis, when director Ivan Reitman relinquished the franchise’s director’s chair and everyone involved finally gave up on trying to convince stubborn (and probably very wise) Bill Murray to make a second sequel to the original film.
“I’ll be back,” is no longer just Arnold Schwarzenegger’s most famous movie quote and catchphase. It’s now his main business model. While doing a Q&A in England last weekend, Schwarzenegger announced there was another potential sequel in his future: ‘The Running Man,’ his 1987 sci-fi thriller based on a novel by Stephen King about a dark future where criminals compete for their lives on reality television (that dark future, apparently, was the year 2014).
Disney's upcoming roster of animated pictures already includes projects like Pixar's long-awaited 'The Good Dinosaur,' 'Inside Out,' and 'Finding Dory.' Now the company has officially dated two more projects from its Walt Disney Animation Studios.
My grandmother, Rhoda Singer, died earlier this year. She lived much of her life in Brooklyn and was a Brooklyn Dodgers fan. Her favorite player was Pee Wee Reese, the Dodgers' scrappy white shortstop who famously silenced a racist Cincinnati crowd by putting his arm around his black teammate Jackie Robinson during pre-game warmups.
I thought about my grandmother a lot while watching '42,' the new biopic of Jackie Robinson and his quest to break the color barrier in baseball. On an intellectual level, I can tell you a dozen things wrong with the movie, from its excessively preachy dialogue to its bloated length. But on an emotional level, I have to admit that this movie bypassed my brain and grabbed my heart, pulling each and every string contained therein firmly and repeatedly. It's a pretty good tribute to a great man. And when Pee-Wee and Jackie embraced on that field in Cincinnati I cried.
It should be impossible for a movie to be both enthralling and boring, but somehow 'To the Wonder' pulls it off. It contains sights -- of picturesque Oklahoma sunsets and impossibly serene European beaches -- so beautiful they awaken you to the glory of the world around us. And it also contains passages -- of Ben Affleck and Olga Kurylenko running and twirling through fields, and then rolling around in bed, and then fighting and screaming, and then running and twirling in that field again -- so repetitive and tiresome that they nearly lull you to sleep.
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